Showing posts with label novelist. Show all posts
Showing posts with label novelist. Show all posts

Monday, July 15, 2013

Poems by Margaret Atwood

Margaret Eleanor Atwood, (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, and environmental activist. She is among the most-honoured authors of fiction in recent history. She is a winner of the Arthur C. Clarke Award and Prince of Asturias award for Literature, has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. She is also a founder of the Writers' Trust of Canada, a non-profit literary organization that seeks to encourage Canada's writing community. While she is best known for her work as a novelist, she is also a poet, having published fifteen books of poetry to date. Many of her poems have been inspired by myths and fairy tales, which have been interests of hers from an early age. Atwood has published short stories in Tamarack Review, Alphabet, Harper's, CBC Anthology, Ms., Saturday Night, and many other magazines. She has also published four collections of stories and three collections of unclassifiable short prose works.

Habitation
Marriage is not 
a house or even a tent
it is before that, and colder:
The edge of the forest, the edge 
of the desert 
the unpainted stairs
at the back where we squat 
outside, eating popcorn
where painfully and with wonder 
at having survived even 
this far
we are learning to make fire
Flying Inside Your Own Body
Your lungs fill & spread themselves,
wings of pink blood, and your bones
empty themselves and become hollow.
When you breathe in you’ll lift like a balloon
and your heart is light too & huge,
beating with pure joy, pure helium.
The sun’s white winds blow through you,
there’s nothing above you,
you see the earth now as an oval jewel,
radiant & seablue with love.
It’s only in dreams you can do this.
Waking, your heart is a shaken fist,
a fine dust clogs the air you breathe in;
the sun’s a hot copper weight pressing straight
down on the think pink rind of your skull.
It’s always the moment just before gunshot.
You try & try to rise but you cannot.
Night Poem
There is nothing to be afraid of,
it is only the wind
changing to the east, it is only
your father the thunder
your mother the rain
In this country of water
with its beige moon damp as a mushroom,
its drowned stumps and long birds
that swim, where the moss grows
on all sides of the trees
and your shadow is not your shadow
but your reflection,
your true parents disappear
when the curtain covers your door.
We are the others,
the ones from under the lake
who stand silently beside your bed
with our heads of darkness.
We have come to cover you
with red wool,
with our tears and distant whipers.
You rock in the rain's arms
the chilly ark of your sleep,
while we wait, your night
father and mother
with our cold hands and dead flashlight,
knowing we are only
the wavering shadows thrown
by one candle, in this echo
you will hear twenty years later.
A Sad Child
You're sad because you're sad.
It's psychic. It's the age. It's chemical.
Go see a shrink or take a pill,
or hug your sadness like an eyeless doll
you need to sleep.
Well, all children are sad
but some get over it.
Count your blessings. Better than that,
buy a hat. Buy a coat or pet.
Take up dancing to forget.
Forget what?
Your sadness, your shadow,
whatever it was that was done to you
the day of the lawn party
when you came inside flushed with the sun,
your mouth sulky with sugar,
in your new dress with the ribbon
and the ice-cream smear,
and said to yourself in the bathroom,
I am not the favorite child.
My darling, when it comes
right down to it
and the light fails and the fog rolls in
and you're trapped in your overturned body
under a blanket or burning car,
and the red flame is seeping out of you
and igniting the tarmac beside you head
or else the floor, or else the pillow,
none of us is;
or else we all are.
Postcards
I'm thinking about you. What else can I say?
The palm trees on the reverse
are a delusion; so is the pink sand.
What we have are the usual
fractured coke bottles and the smell
of backed-up drains, too sweet,
like a mango on the verge
of rot, which we have also.
The air clear sweat, mosquitoes
& their tracks; birds & elusive.
Time comes in waves here, a sickness, one
day after the other rolling on;
I move up, it's called
awake, then down into the uneasy
nights but never
forward. The roosters crow
for hours before dawn, and a prodded
child howls & howls
on the pocked road to school.
In the hold with the baggage
there are two prisoners,
their heads shaved by bayonets, & ten crates
of queasy chicks. Each spring
there's race of cripples, from the store
to the church. This is the sort of junk
I carry with me; and a clipping
about democracy from the local paper.
Outside the window
they're building the damn hotel,
nail by nail, someone's
crumbling dream. A universe that includes you
can't be all bad, but
does it? At this distance
you're a mirage, a glossy image
fixed in the posture
of the last time I saw you.
Turn you over, there's the place
for the address. Wish you were
here. Love comes
in waves like the ocean, a sickness which goes on
& on, a hollow cave
in the head, filling & pounding, a kicked ear.
Morning in the Burned House
In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.
The spoon which was melted scrapes against 
the bowl which was melted also.
No one else is around.
Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,
their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,
every detail clear,
tin cup and rippled mirror.
The day is bright and songless,
the lake is blue, the forest watchful.
In the east a bank of cloud 
rises up silently like dark bread.
I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.
I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything
in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,
including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,
bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts
and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.
A Visit
Gone are the days
when you could walk on water.
When you could walk.
The days are gone.
Only one day remains,
the one you're in.
The memory is no friend.
It can only tell you
what you no longer have:
a left hand you can use,
two feet that walk.
All the brain's gadgets.
Hello, hello.
The one hand that still works
grips, won't let go.
That is not a train.
There is no cricket.
Let's not panic.
Let's talk about axes,
which kinds are good,
the many names of wood.
This is how to build
a house, a boat, a tent.
No use; the toolbox
refuses to reveal its verbs;
the rasp, the plane, the awl,
revert to sullen metal.
Do you recognize anything? I said.
Anything familiar?
Yes, you said. The bed.
Better to watch the stream
that flows across the floor
and is made of sunlight,
the forest made of shadows;
better to watch the fireplace
which is now a beach.
In the Secular Night
In the secular night you wander around
alone in your house. It's two-thirty.
Everyone has deserted you,
or this is your story;
you remember it from being sixteen,
when the others were out somewhere, having a good time,
or so you suspected,
and you had to baby-sit.
You took a large scoop of vanilla ice-cream
and filled up the glass with grapejuice
and ginger ale, and put on Glenn Miller
with his big-band sound,
and lit a cigarette and blew the smoke up the chimney,
and cried for a while because you were not dancing,
and then danced, by yourself, your mouth circled with purple.
Now, forty years later, things have changed,
and it's baby lima beans.
It's necessary to reserve a secret vice.
This is what comes from forgetting to eat
at the stated mealtimes. You simmer them carefully,
drain, add cream and pepper,
and amble up and down the stairs,
scooping them up with your fingers right out of the bowl,
talking to yourself out loud.
You'd be surprised if you got an answer,
but that part will come later.
There is so much silence between the words,
you say. You say, The sensed absence
of God and the sensed presence
amount to much the same thing,
only in reverse.
You say, I have too much white clothing.
You start to hum.
Several hundred years ago
this could have been mysticism
or heresy. It isn't now.
Outside there are sirens.
Someone's been run over.
The century grinds on.

Monday, April 15, 2013

A Definition of Happiness by Nikos Kazantzakis !

Nikos Kazantzakis
Nikos Kazantzakis (February 18, 1883 – October 26, 1957) was a Greek writer and philosopher, celebrated for his novel Zorba the Greek, considered his magnum opus. He became known globally after the 1964 release of the Michael Cacoyannis film Zorba the Greek, based on the novel. He gained renewed fame with the 1988 Martin Scorsese adaptation of his book The Last Temptation of Christ. In this narrative from his memoir Report to Greco (1965), Kazantzakis recounts an experience that illustrated for him the meaning of happiness. The memoir Report to Greco, by Nikos Kazantzakis (translated by Peter A. Bien) was first published by Simon and Schuster in 1965 and reprinted by Faber and Faber in 2001 : Being Poet
It was almost nightfall. The whole day: rain, torrents of rain. Drenched to the bone, I arrived in a little Calabrian village. I had to find a hearth where I could dry out, a corner where I could sleep. The streets were deserted, the doors bolted. The dogs were the only ones to scent the stranger's breath; they began to bark from within the courtyards. The peasants in this region are wild and misanthropic, suspicious of strangers. I hesitated at every door, extended my hand, but did not dare to knock.
O for my late grandfather in Crete who took his lantern each evening and made the rounds of the village to see if any stranger had come. He would take him home, feed him, give him a bed for the night, and then in the morning see him off with a cup of wine and a slice of bread. Here in the Calabrian villages there were no such grandfathers.
Suddenly I saw an open door at the edge of the village. Inclining my head, I looked in: a murky corridor with a lighted fire at the far end and an old lady bent over it. She seemed to be cooking. Not a sound, nothing but the burning wood. It was fragrant; it must have been fine. I crossed the threshold and entered, bumping against a long table which stood in the middle of the room. Finally, I reached the fire and sat down on a stool which I found in front of the hearth. The old lady was squatting on another stool, stirring the meal with a wooden spoon. I felt that she eyed me rapidly, without turning. But she said nothing. Taking off my jacket, I began to dry it. I sensed happiness rising in me like warmth, from my feet to my shins, my thighs, my breast. Hungrily, avidly, I inhaled the fragrance of the steam rising from the pot. The meal must have been baked beans; the aroma was overwhelming. Once more I realized to what an extent earthly happiness is made to the measure of man. It is not a rare bird which we must pursue at one moment in heaven, at the next in our minds. Happiness is a domestic bird in our own courtyards.
As soon as we finished, she prepared a bed for me on a bench to the right of the table. I lay down, and she lay down on the other bench opposite me. Outside the rain was falling by the bucketful. For a considerable time I heard the water cackle on the roof, mixed with the old lady's calm, quiet breathing. She must have been tired, for she fell asleep the moment she inclined her head. Little by little, with the rain and the old lady's respiration, I too slipped into sleep. When I awoke, I saw daylight peering through the cracks in the door.
The old lady had already risen and placed a saucepan on the fire to prepare the morning milk. I looked at her now in the sparse daylight. Shriveled and hump, she could fit into the palm of your hand. Her legs were so swollen that she had to stop at every step and catch her breath. But her eyes, only her large, pitch-black eyes, gleamed with youthful, unaging brilliance. How beautiful she must have been in her youth, I thought to myself, cursing man's fate, his inevitable deterioration. Sitting down opposite each other again, we drank the milk. Then I rose and slung my carpetbag over my shoulder. I took out my wallet, but the old lady colored deeply.
"No, no," she murmured, extending her hand.
As I looked at her in astonishment, the whole of her bewrinkled face suddenly gleamed.
Goodbye, and God bless you," she said. "May the Lord repay you for the good you've done me. Since my husband died I've never slept so well."

Friday, November 30, 2012

Happy Birthday Mark Twain !

Mark Twain
Today is the birthday of an American author and humorist Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), better known by his pen name Mark Twain. He is most noted for his novel The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1885), the latter often called "the Great American Novel." He achieved great success as a writer and public speaker. His wit and satire earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty. Twain was born during a visit by Halley's Comet, and he predicted that he would "go out with it" as well. He died the day following the comet's subsequent return. He was lauded as the "greatest American humorist of his age," and William Faulkner called Twain "the father of American literature." Presenting some poems : Being Poet
Warm Summer Sun
Warm summer sun,
Shine kindly here,
Warm southern wind,
Blow softly here.
Green sod above,
Lie light, lie light.
Good night, dear heart,
Good night, good night.
To Jennie
Good-bye! a kind good-bye,
I bid you now, my friend,
And though 'tis sad to speak the word,
To destiny I bend
And though it be decreed by Fate
That we ne'er meet again,
Your image, graven on my heart,
Forever shall remain.
Aye, in my heart thoult have a place,
Among the friends held dear,-
Nor shall the hand of Time efface
The memories written there.
Goodbye,
S.L.C.
Those Annual Bills
These annual bills! these annual bills!
How many a song their discord trills
Of 'truck' consumed, enjoyed, forgot,
Since I was skinned by last year's lot!
Those joyous beans are passed away;
Those onions blithe, O where are they?
Once loved, lost, mourned-now vexing ILLS
Your shades troop back in annual bills!
And so 'twill be when I'm aground
These yearly duns will still go round,
While other bards, with frantic quills,
Shall damn and damn these annual bills! 

Thursday, November 29, 2012

Happy Birthday Louisa May Alcott !

Louisa May Alcott
Today is the birthday of an American novelist Louisa May Alcott (November 29, 1832 – March 6, 1888), best known as author of the novel Little Women and its sequels Little Men and Jo's Boys. Raised by her transcendentalist parents, Abigail May Alcott and Amos Bronson Alcott in New England, she grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Nevertheless, her family suffered severe financial difficulties and Alcott worked to help support the family from an early age. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard. Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts and is loosely based on Alcott's childhood experiences with her three sisters. The novel was very well received and is still a popular children's novel today. Alcott was an abolitionist and a feminist. She never married and died in Boston. Presenting some poems : Being Poet
And If Your Nancy Frowns, My Lad
''And if your Nancy frowns, my lad,
And scorns a jacket blue,
Just hoist your sails for other ports,
And find a maid more true.''
Chevalita
'Chevalita,
Pretty cretr,
I do love her
Like a brother;
Just to ride
Is my delight,
For she does not
Kick or bite,'
Dear Grif
'Dear Grif,
Here is a whiff
Of beautiful spring flowers;
The big red rose
Is for your nose,
As toward the sky it towers.
'Oh, do not frown
Upon this crown
Of green pinks and blue geranium
But think of me
When this you see,
And put it on your cranium.'
Don't Drive Me Away
'Don't drive me away,
But hear what I say:
Bad men want the gold;
They will steal it to-night,
And you must take flight;
So be quiet and busy and bold.'
'Slip away with me,
And you will see
What a wise little thing am I;
For the road I show
No man can know,
Since it's up in the pathless sky.'
Beds To The Front Of Them
'Beds to the front of them,
Beds to the right of them,
Beds to the left of them,
Nobody blundered.
Beamed at by hungry souls,
Screamed at with brimming bowls,
Steamed at by army rolls,
Buttered and sundered.
With coffee not cannon plied,
Each must be satisfied,
Whether they lived or died;
All the men wondered.'
A Little Bird I Am
'A little bird I am,
Shut from the fields of air,
And in my cage I sit and sing
To Him who placed me there:
Well pleased a prisoner to be,
Because, my God, it pleases Thee!
'Naught have I else to do;
I sing the whole day long;
And He whom most I love to please
Doth listen to my song,
He caught and bound my wandering wing,
But still He bends to hear me sing.'
Bide A Wee
'The puir auld folk at home, ye mind,
Are frail and failing sair;
And weel I ken they'd miss me, lad,
Gin I come hame nae mair.
The grist is out, the times are hard,
The kine are only three;
I canna leave the auld folk now.
We'd better bide a wee.
'I fear me sair they're failing baith;
For when I sit apart,
They talk o' Heaven so earnestly,
It well nigh breaks my heart.
So, laddie, dinna urge me now,
It surely winna be;
I canna leave the auld folk yet.
We'd better bide a wee.'
Flowers, Dear Flowers, Farewell!
'We are sending you, dear flowers,
Forth alone to die,
Where your gentle sisters may not weep
O'er the cold graves where you lie;
But you go to bring them fadeless life
In the bright homes where they dwell,
And you softly smile that 't is so,
As we sadly sing farewell.
O plead with gentle words for us,
And whisper tenderly
Of generous love to that cold heart,
And it will answer ye;
And though you fade in a dreary home,
Yet loving hearts will tell
Of the joy and peace that you have given:
Flowers, dear flowers, farewell!'

Wednesday, November 21, 2012

Happy Birthday Voltaire !

Voltaire
Today is the birthday of a French Enlightenment writer, historian and philosopher Voltaire (21 November 1694 – 30 May 1778), famous for his wit and for his advocacy of civil liberties, including freedom of religion, freedom of expression, free trade and separation of church and state. Voltaire was a prolific writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken supporter of social reform, despite strict censorship laws with harsh penalties for those who broke them. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma, and the French institutions of his day. Voltaire was one of several Enlightenment figures (along with Montesquieu, John Locke, Richard Price, Jean-Jacques Rousseau, and Émilie du Châtelet) whose works and ideas influenced important thinkers of both the American and French Revolutions. Presenting some Quotations : Being Poet
  • A witty saying proves nothing.
  • Love truth, and pardon error.
  • Regimen is superior to medicine.
  • Anything too stupid to be said is sung.
  • Prejudice is opinion without judgement.
  • History is a pack of lies we play on the dead.
  • The multitude of books is making us ignorant.
  • The secret of being boring is to say everything.
  • Every man is guilty of all the good he didn't do.
  • God is always on the side of the big battalions.
  • Indolence is sweet, and its consequences bitter.
  • Marriage is the only adventure open to the cowardly.
  • If God did not exist, it would be necessary to invent him.
  • Doubt is not a pleasant condition, but certainty is absurd.
  • It is dangerous to be right when the government is wrong.
  • Judge of a man by his questions rather than by his answers.
  • God is a comedian playing to an audience too afraid to laugh.
  • Men are equal; it is not birth but virtue that makes the difference.
  • Love is a canvas furnished by Nature and embroidered by imagination.
  • Indeed, history is nothing more than a tableau of crimes and misfortunes.
  • Those who can make you believe absurdities can make you commit atrocities.
  • The art of medicine consists in amusing the patient while nature cures the disease.
  • Appreciation is a wonderful thing: It makes what is excellent in others belong to us as well.
  • There is a wide difference between speaking to deceive, and being silent to be impenetrable.
  • All sects are different, because they come from men; morality is everywhere the same, because it comes from God.
  • I have never made but one prayer to God, a very short one: 'O Lord, make my enemies ridiculous.' And God granted it.
  • It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets.
  • The safest course is to do nothing against one's conscience. With this secret, we can enjoy life and have no fear from death.
  • Animals have these advantages over man: they never hear the clock strike, they die without any idea of death, they have no theologians to instruct them, their last moments are not disturbed by unwelcome and unpleasant ceremonies, their funerals cost them nothing, and no one starts lawsuits over their wills.

Tuesday, November 13, 2012

Happy Birthday Robert Louis Stevenson !

Robert Louis Stevenson
Today is the birthday of a Scottish novelist, poet, essayist, and travel writer Robert Louis Balfour Stevenson (13 November 1850 – 3 December 1894). His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. A literary celebrity during his lifetime, Stevenson now ranks among the 26 most translated authors in the world. His works have been admired by many other writers, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Marcel Schwob, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said of him that he "seemed to pick the right word up on the point of his pen, like a man playing spillikins." Presenting some poems : Being Poet
A Thought
It is very nice to think
The world is full of meat and drink,
With little children saying grace
In every Christian kind of place.
A Good Play
We built a ship upon the stairs
All made of the back-bedroom chairs,
And filled it full of soft pillows
To go a-sailing on the billows.
We took a saw and several nails,
And water in the nursery pails;
And Tom said, "Let us also take
An apple and a slice of cake;"--
Which was enough for Tom and me
To go a-sailing on, till tea.
We sailed along for days and days,
And had the very best of plays;
But Tom fell out and hurt his knee,
So there was no one left but me.
Ad Magistrum Ludi
NOW in the sky
And on the hearth of
Now in a drawer the direful cane,
That sceptre of the . . . reign,
And the long hawser, that on the back
Of Marsyas fell with many a whack,
Twice hardened out of Scythian hides,
Now sleep till the October ides.
In summer if the boys be well.
Ad Se Ipsum
DEAR sir, good-morrow! Five years back,
When you first girded for this arduous track,
And under various whimsical pretexts
Endowed another with your damned defects,
Could you have dreamed in your despondent vein
That the kind God would make your path so plain?
Non nobis, domine! O, may He still
Support my stumbling footsteps on the hill!
After Reading "Antony And Cleopatra"
AS when the hunt by holt and field
Drives on with horn and strife,
Hunger of hopeless things pursues
Our spirits throughout life.
The sea's roar fills us aching full
Of objectless desire -
The sea's roar, and the white moon-shine,
And the reddening of the fire.
Who talks to me of reason now?
It would be more delight
To have died in Cleopatra's arms
Than be alive to-night.
Ad Olum
CALL me not rebel, though { here at every word
{in what I sing
If I no longer hail thee { King and Lord
{ Lord and King
I have redeemed myself with all I had,
And now possess my fortunes poor but glad.
With all I had I have redeemed myself,
And escaped at once from slavery and pelf.
The unruly wishes must a ruler take,
Our high desires do our low fortunes make:
Those only who desire palatial things
Do bear the fetters and the frowns of Kings;
Set free thy slave; thou settest free thyself.
Ad Martialem
GO(D) knows, my Martial, if we two could be
To enjoy our days set wholly free;
To the true life together bend our mind,
And take a furlough from the falser kind.
No rich saloon, nor palace of the great,
Nor suit at law should trouble our estate;
On no vainglorious statues should we look,
But of a walk, a talk, a little book,
Baths, wells and meads, and the veranda shade,
Let all our travels and our toils be made.
Now neither lives unto himself, alas!
And the good suns we see, that flash and pass
And perish; and the bell that knells them cries:
"Another gone: O when will ye arise?"
A Good Boy
I woke before the morning, I was happy all the day,
I never said an ugly word, but smiled and stuck to play.
And now at last the sun is going down behind the wood,
And I am very happy, for I know that I've been good.
My bed is waiting cool and fresh, with linen smooth and fair,
And I must be off to sleepsin-by, and not forget my prayer.
I know that, till to-morrow I shall see the sun arise,
No ugly dream shall fright my mind, no ugly sight my eyes.
But slumber hold me tightly till I waken in the dawn,
And hear the thrushes singing in the lilacs round the lawn.