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| Joyce Carol Oates |
Today
is the birthday of an American author Joyce Carol
Oates. Oates (June 16, 1938) published her first book in 1963 and has
since published over fifty novels, as well as many volumes of short stories,
poetry, and nonfiction. Her novel them (1969) won the National Book Award, and
her novels Black Water (1992), What I Lived For (1994), and Blonde (2000) were
nominated for the Pulitzer Prize. As of 2008, Oates is the Roger S. Berlind '52
Professor in the Humanities with the Program in Creative Writing at Princeton
University, where she has taught since 1978. Presenting some Quotations : Being Poet
Kite Poem
Some-
thing there
is in the American
soul that soars with
kites that soar! Some-
thing alive with the roar
of the wind lifting the kite
that soars above rooftops, tree-
tops, and awestruck heads! And yet—
Something there is not in the
American soul to adore the
kite that fails to soar.
I've seen it, I've
feared it, and
so have you.
The kite whose tail
is tattered in the
TV antenna.
The kite that rises
thrillingly
at dawn
then crashes
vertically
at your feet.
thing there
is in the American
soul that soars with
kites that soar! Some-
thing alive with the roar
of the wind lifting the kite
that soars above rooftops, tree-
tops, and awestruck heads! And yet—
Something there is not in the
American soul to adore the
kite that fails to soar.
I've seen it, I've
feared it, and
so have you.
The kite whose tail
is tattered in the
TV antenna.
The kite that rises
thrillingly
at dawn
then crashes
vertically
at your feet.
in a
heap
It's worth taking a look
heap
It's worth taking a look
Waiting On Elvis, 1956
This
place up in Charlotte called Chuck’s where I
used to waitress and who came in one night
but Elvis and some of his friends before his concert
at the Arena, I was twenty-six married but still
waiting tables and we got to joking around like you
do, and he was fingering the lace edge of my slip
where it showed below my hemline and I hadn’t even
seen it and I slapped at him a little saying, You
sure are the one aren’t you feeling my face burn but
he was the kind of boy even meanness turned sweet in
his mouth.
used to waitress and who came in one night
but Elvis and some of his friends before his concert
at the Arena, I was twenty-six married but still
waiting tables and we got to joking around like you
do, and he was fingering the lace edge of my slip
where it showed below my hemline and I hadn’t even
seen it and I slapped at him a little saying, You
sure are the one aren’t you feeling my face burn but
he was the kind of boy even meanness turned sweet in
his mouth.
Smiled
at me and said, Yeah honey I guess I sure am.
·
It is not her body
that he wants but it is only through her body that he can take possession of
another human being, so he must labor upon her body, he must enter her body, to
make his claim.
·
Boxing has become
America's tragic theater.
·
The worst cynicism: a
belief in luckOur enemy is by tradition our savior, in preventing us from
superficiality.
·
When you're 50 you
start thinking about things you haven't thought about before. I used to think
getting old was about vanity—but actually it's about losing people you love.
Getting wrinkles is trivial.
·
Prose—it might be
speculated—is discourse; poetry ellipsis. Prose is spoken aloud; poetry
overheard. The one is presumably articulate and social, a shared language, the
voice of "communication"; the other is private, allusive, teasing,
sly, idiosyncratic as the spider's delicate web, a kind of witchcraft
unfathomable to ordinary minds.
·
Nothing is accidental
in the universe—this is one of my Laws of Physics—except the entire universe
itself, which is Pure Accident, pure divinity.
·
Old women snore
violently. They are like bodies into which bizarre animals have crept at night;
the animals are vicious, bawdy, noisy. How they snore! There is no shame to
their snoring. Old women turn into old men.
·
The television screen, so unlike the movie
screen, sharply reduced human beings, revealed them as small, trivial, flat, in
two banal dimensions, drained of color. Wasn't there something reassuring about
it!—that human beings were in fact merely images of a kind registered in one
another's eyes and brains, phenomena composed of microscopic flickering dots
like atoms. They were atoms—nothing more. A quick switch of the dial and they
disappeared and who could lament the loss?
·
Boxing is about being
hit rather more than it is about hitting, just as it is about feeling pain, if
not devastating psychological paralysis, more than it is about winning.
·
I can entertain the
proposition that life is a metaphor for boxing—for one of those bouts that go
on and on, round following round, jabs, missed punches, clinches, nothing
determined, again the bell and again and you and your opponent so evenly
matched it's impossible not to see that your opponent is you.... Life is like
boxing in many unsettling respects. But boxing is only like boxing.
·
In any case, raw
aggression is thought to be the peculiar province of men, as nurturing is the
peculiar province of women.... The psychologist Erik Erikson discovered that,
while little girls playing with blocks generally create pleasant interior
spaces and attractive entrances, little boys are inclined to pile up the blocks
as high as they can and then watch them fall down: "the contemplation of
ruins," Erikson observes, "is a masculine specialty."
·
The spectacle of human beings fighting each
other for whatever reason, including, at certain well-publicized times,
staggering sums of money, is enormously disturbing because it violates a taboo
of our civilization. Many men and women, however they steel themselves, cannot
watch a boxing match because they cannot allow themselves to see what it is
they are seeing. One thinks helplessly, This can't be happening, even as, and
usually quite routinely, it is happening. In this way boxing as a public
spectacle is akin to pornography: in each case the spectator is made a voyeur,
distanced, yet presumably intimately involved, in an event that is not supposed
to happening as it is happening. The pornographic "drama," though as
fraudulent as professional wrestling, makes a claim for being about something
absolutely serious, if not humanly profound: it is not so much about itself as
about the violation of a taboo. That the taboo is spiritual rather than
physical, or sexual—that our most valuable human experience, love, is being is
being desecrated, parodied, mocked—is surely at the core of our culture's
fascination with pornography.

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